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Winter Is Coming. (A Transmedia Fiction Experience with J.C.) by J.C. Hutchins

This afternoon, a package from HBO arrived at my doorstep. Curious, I grabbed my vidcam and documented what quickly became not only an awesome "unboxing" video, but an amazing -- and remarkably unconventional -- narrative journey. Ride shotgun with me as you get an unfiltered, as-it-happens look at this amazing HBO package as I experience it ... and learn a little about the world of HBO's upcoming fantasy series Game Of Thrones (based on the terrific novel series by George R.R. Martin) along the way.

For viewers who want a closer look at the images seen briefly in the videos, check the gallery below for larger versions.

And do be careful out there. Winter is coming.

--J.C

Click the image thumbnails below to view detail shots of the HBO package. (Click your browser's "back" button to return to this page, and the gallery.)

Podcast: Interview with Scott Roche and Zachary Ricks of Flying Island Press by J.C. Hutchins

Today, J.C. speaks with Scott Roche and Zachary Ricks, two of the founding members of Flying Island Press, a digital publishing company that releases compelling genre fiction in electronic formats. Scott and Zachary chat at length about their company's business model and philosophy, the entrepreneurial spirit, and how they distribute anthology-style fiction magazines in formats for the Kindle, the iPad and iPhone, and other electronic readers -- and in audio format.

Links mentioned in this episode:

The anthem for Hey, Everybody! is "Chip Away" by Jane's Addition, distributed freely via BitTorrent and the Nine Inch Nails/Jane's Addiction tour site, Ninja2009.com.

What's The ULTIMATE Revenge Movie? by J.C. Hutchins

(Probably not the ultimate revenge movie.)
(Probably not the ultimate revenge movie.)

I've spent the past few months chipping away at a few screenplays. One script -- a supernatural balls-to-the-wall actioner with a magma-hot hook -- is presently getting a polish by me and a co-writer (whose name I cannot yet divulge). Another screenplay started with a very strong concept, but competing obligations prevented another co-writer from dedicating appropriate creative bandwidth to the project. It's on ice for the time being.

Which happily frees my queue to pursue a third story, which I've been noodling on for nearly a year. The hook of this script prominently features themes with which 7th Son and Personal Effects fans are familiar: identity, sanity, and sanctity (both of the human body and mind). It also levels both barrels at many consumption- and brand-obsessed First World cultures.

I dare not share more about the concept, other than to say that this "near future" world I've created is one you've never seen, and the culture specifically will make your head spin like a top. Spin in a That's some cool shit kind of way.

I believe the very best sci-fi stories resonate because they successfully incorporate subgenres into their tales. Blade Runner's noir elements help make that unfamiliar world more accessible to a viewer. Consider Serenity's Western elements; they help deliver similar results. I contend that using mainstream-friendly subgenres helps make sci-fi feel palatable to wider audiences. It helps the story feel less sci-fi-ish, which I believe is a good thing.

I've been thinking hard about which subgenre to inject into my latest story ... and today, I turned my wicked eye toward the revenge movie. I love revenge flicks, as a third act filled with whup-ass is guaranteed. In addition, the subgenre plays nice with the loose outline I created for this story.

Unforgiven is my personal favorite revenge flick, but I knew I needed more reference material for creative inspiration. So I turned to YOU on Twitter and Facebook and asked:

What's the *very best* revenge movie you've seen? You can only pick one. Go!

And you sure as hell did. Here are your recommendations. There are some hella great flicks here. Fill up that Netflix queue, peeps.

  • Wes Platt recommends: El Mariachi
  • Tanya N. Kutasz: The Italian Job (the remake)
  • DC Perry, Brand Gamblin, Tony Southcotte, Jessika Oxford: Oldboy
  • Jared Axelrod: The Limey
  • Ted Wade, Adam Lefever, Ted Wade, Michelle Ristuccia: The Count of Monte Cristo
  • Tony Mast: Braveheart
  • Kevin Smokler: 9 to 5
  • Zach Ricks: Man on Fire
  • Scott Roche, Vivid Muse: Leon - The Professional
  • Johnny Ho, Jane Doh, Eliza Sea: Lady Vengeance
  • Tee Morris, Amber: The Sting
  • Neil Colquhoun: Jaws
  • C.C. Chapman: Hard Candy
  • Mary Rajotte: Heathers
  • Allen Sale: Theater of Blood
  • Seth, Karl Schild: Payback
  • Christiana Ellis, Duncan, Michael Falkner, Matthew Wayne Selznick, Tim Adamec: Star Trek II: The Wrath of Kahn
  • Martyn Casserly, Edward G. Talbot, Leandro Pezzente: The Princess Bride
  • Trisha Leigh: Lucky Number Slevin
  • Richard Green, Avery Tingle, Aaron Baldwin, Void Munashii: Kill Bill
  • Stuart Robertson, Billy Flynn: The Crow
  • Clinton: Aliens
  • Thomas Janci: Revenger's Tragedy
  • Douglas Hagler: Ransom
  • Josh Rosenfield: The Prestige
  • Adam Loyal: Dirty Work
  • J.R. Blackwell: Titus
  • James Auger: Memento
  • Gary Giovanetti: Death Race (the remake)
  • Robert Smith: Mad Max
  • Howard Dinatale: Get Carter (the original)
  • Dave Minkus: The Girl with the Dragon Tattoo
  • Gregory Gunther: Taken
  • Carlene Worthington: Repo

I've seen a lot of these ... and there's a lot I haven't seen, or even heard of. The Count of Monte Cristo is absolutely the quintessential revenge story (I loved reading it way back in high school, and should revisit it), and the countless recommendations for Oldboy have my curiosity majorly piqued. Thanks to everyone who recommended their favorites.

I hope you'll check out some of these cool revenge flicks too. And if you'd like to recommend your ULTIMATE revenge flick pick, sound off in the comments!

--J.C.

Blast From The Past: Notes For "EvacSys" by J.C. Hutchins

I was scribbling in a beat-to-shit legal pad this evening on a new screenplay project, flipped the page, and was stunned to see words already on that page, scanned below. I then grinned like a fool.

Longtime 7th Son trilogy fans may recall Book Three: Destruction's elaborate action sequence aboard EvacSys, an underground bullet train designed to whisk United Nations leaders away from the Secretariat building during a terrorist attack.

The notebook page I discovered tonight chronicles the first brainstorm session I had about EvacSys. Unlike most of my fiction ideas, the concept for EvacSys changed very little from these proto-notes to the finished story. I can remember exactly where I was when I jotted these notes.

I was so delighted by this, I simply had to share it. I hope you enjoy it.

--J.C.

proto_evacsys.jpg

Convergence by J.C. Hutchins

They say life is imperfect. For a long while now, I've disagreed. This convergence right here -- me writing this hours (or days!) ago, and you reading it at this very moment -- represents absolute perfection, at least to me. The craziest and most unlikely of events brought us here, to this itty-bitty place, together ... a place that doesn't even exist in any tangible, traditionally meaningful way. What remarkable lives we tiny needles have led, to meet here, in this strange little haystack.

Open your mind to the billion-trillion ways our lives might not have intersected, and you just might weep from the humbling awe of it all. I have. Because instead of being in those theres, you're here. It could've happened countless different ways -- and perhaps should've -- but didn't. Our respective tempests intersected in this teapot, and make no mistake: it was a perfect storm that delivered us here. We're right where we're supposed to be.

I refer not to God or fate -- though you're welcome to imprint that meaning upon my words if you wish -- but to cause and effect. Decisions made by you, me, our families and friends and lovers and 6 billion others. Butterflies in China, hurricanes in Florida, that sort of thing.

By my reckoning, there is perfection in these impossible odds ... even when these convergences present heartbreak or other challenges. Earlier today, I reminded myself of this, as life-changing news was re-confirmed to me by a doctor on the other side of a telephone.

I can count on two hands the number of people who, until this little miraculous moment that's brought us together, knew this secret about me.

I am a diabetic.

I've known this since 2006, though I did nothing to treat this incurable disease -- and in fact actively engaged in unhealthy activity that likely worsened my condition since my initial diagnosis. The deeply-rooted, irrational, cowardly and misguided reasons for this self-destructive avoidance are mine to examine and rectify. I respectfully contend that there's not much value in sharing them here.

However, I also respectfully contend that you might find value in what brought me to this re-diagnosis, and how I'm dealing with it.

A few months back, I went to the dentist for the first time in 20 years, and explained the incapacitating pain I experienced on the left side of my face when I chewed food. X-rays revealed an impacted lower wisdom tooth. The only way to eliminate the pain was to yank that sucker out of my head. The doctor suggested I have my other wisdom teeth also removed.

I smiled, saluted, promised to take care of it, and learned to chew food on the right side of my mouth, because...

...three weeks later, I moved from Fort Lauderdale to my new home near Denver. The financial, and health insurance, dust settled mere weeks ago. I visited a local oral surgeon, presented my situation, and when he asked if I was a diabetic, I paused.

Lying would've been easy. I'd been lying to myself for nearly a half-decade. But lying to others is a lousy thing to do.

I'm glad I fessed up. The surgeon explained that blood sugar levels (which diabetes affects, among a frickin' Who's Who of other bodily things) are in fact required to be within certain limits during and after the surgery, due mostly to the anesthesia and other drug cocktail-y stuff used in the procedure. The health of someone with abnormally high blood sugar like me would be at risk.

I'm a heavy cigarette smoker. And so, I was also told that after this surgery, I couldn't smoke for several days -- lest I risk "sucking" special (and necessary) blood clots out of the fresh holes in my head. Dry socket, it's called. I was told it's excruciating. That's all I needed to know.

And did I mention I live a sedentary life? I've recently lost some weight by eating less fast food, but this First World wordherding homebody hates breaking a sweat.

For want of a nail. Or in this case, a tooth.

To eat like a normal person again, I realized I'd have to:

  • Get my blood sugar to a surgery-appropriate level, which meant I had to...
  • ...re-diagnose my diabetes, and diligently treat it with medication...
  • ...and change my diet to lower my blood sugar levels...
  • ...and exercise, which also reduces blood sugar levels...
  • ...and quit smoking, for a great many reasons, including a "dry socket" deterrent.

Much like the circumstances that brought you and I together here, that bullet list represents a truly perfect storm. A storm filled with disruptive Change. A storm designed to frighten the laziness, ignorance and avoidance right out of my marrow, and shove me on a life path I should've been on all along.

And that's exactly what I'm doing. Easy, it ain't gonna be. But believe me when I earnestly say that I've survived far worse.

I wish I was motivated purely by desire and not a hearty dose of desperation ... but so often, so many of us require crises to rediscover our mettle.

You're a creative and intelligent person, so you know just as well as I that this will make me a better, stronger, smarter person. A healthier person. A person who'll live longer, and who won't live with the silent -- and occasionally paralyzing -- guilt of willful self-delusion and -destruction.

And now, on to the reason why I'm sharing this sliver of my life with you. Would you be surprised to know that it has nigh-nothing to do with me -- and nearly everything to do with you? Tis true.

Because we know -- you and me, we two needles in this strange little haystack -- we know that you're sitting on something that is impacting your life in a similarly-spirited way. It may not be a disease, or smoking, or gobbling Smartfood when you should be doing cardio. It may have absolutely nothing to do with the body. But it's there, and it's a thing that's been lurking, and occupying far too much of your mind and emotions, for far too long.

It needs to be acknowledged. It needs to be thoughtfully examined. And it needs to be treated, in the most positive and appropriate way possible.

You don't need a crisis flashpoint like mine to motivate you. You merely require a moment of clarity and courage to look into the mirror of Self, be more honest with your heart than you've been in years, and love yourself enough to make those meaningful changes in your life. Easy, it ain't gonna be. But you've survived far worse.

This moment of clarity and courage need not be epic. Nor must the steps you take to improve your life. They must simply be a series of perfect storms.

Thankfully, those are everywhere. Like the one we just shared.

--J.C.

Podcast: "Stories Of Our Journeys" Interviews J.C. by J.C. Hutchins

In March 2010, my friend Lorelle VanFossen contacted me about a new project she and  Kym Huynh (of ) were creating: , an interview series dedicated to sharing a meaningful moment in a lifetime -- or a journey through that lifetime. Lorelle asked me if Kym could interview me for the program.

I was torn. Mere weeks prior, I'd learned that 7th Son's sequels would not be published by St. Martin's Press. I had announced I was leaving the Free podcast fiction space to pursue other creative opportunities. Was this the best time to chat about my writing career, and the professional decisions I'd made? I almost said no...

...and then remembered the deep respect I had for Lorelle, and that I absolutely trusted her. I agreed to the interview. It is now live, and included here in my podcast feed.

Now, months later, I remain delighted by this interview. Kym's questions were thoughtful and thorough, and so were my answers. It was a perfectly-timed convergence of his curiosity, and my willingness to honestly share my experiences, both good and bad.

If there's one interview of me you should hear -- to get the full story of my creative drive, my love of storytelling, my decision to join and leave the Free podcast fiction community, the promise and pitfalls of mainstream publishing and more -- this is it. I have never given such a forthright interview before this one, and doubt I ever will again.

I hope you find value and enjoyment in this recording, and earnestly encourage you to subscribe to .

--J.C.

Podcast: Interview with Christof Laputka, creator of "The Leviathan Chronicles" by J.C. Hutchins

Today, J.C. chats with Christof Laputka, the visionary creator behind the The Leviathan Chronicles podcast fiction experience.

Christof took audio fiction to new heights (or depths, as Leviathan tells the story of warring factions of underwater immortals) with the first season of his stellarly-produced series. Says J.C.: It's the best-sounding podcast fiction experience available on the web, period.

Now, Christof and Leviathan is back with two special edition episodes, which are for sale. J.C. and Christof speak frankly about monetizing podcast fiction, the real-world challenges of creating such an ambitious project, and the creative philosophies fueling the series.

Plus, J.C. and Christof reveal exclusive clips from the two special edition stories!

Update: Please forgive J.C. for the abrupt ending of the episode; the last 10 seconds of the conversation are cut off. The only thing missing from the conversation is J.C. and Christof saying goodbye.

Sites mentioned in this episode:

The anthem for Hey, Everybody! is "Chip Away" by Jane's Addition, distributed freely via BitTorrent and the Nine Inch Nails/Jane's Addiction tour site, Ninja2009.com.

Podcast: Interview with Author/Composer Alex White, of "The Gearheart" by J.C. Hutchins

This week, J.C. brings you a conversation with Alex White, author of the adventure podiobook The Gearheart, and the forthcoming The Gearheart: Maiden Flight of the Avenger.

Alex is not only a writer; he's a music composer, and has created soundtracks for his audio fiction. J.C., a superfan of film scores, deep geeks with Alex on orchestral composition, the similarities of crafting stories in prose and music formats, and more.

Support Alex and future releases of his free audiofiction by purchasing a copy of the soundtrack to The Gearheart: Maiden Flight of the Avenger!

Sites mentioned in the conversation:

The anthem for Hey, Everybody! is "Chip Away" by Jane's Addition, distributed freely via BitTorrent and the Nine Inch Nails/Jane's Addiction tour site, Ninja2009.com.

Podcast: Interview with C.C. Chapman, co-author of "Content Rules" by J.C. Hutchins

Today, J.C. chats with C.C. Chapman, co-author (with Ann Handley) of the book Content Rules, an invaluable resource that provides insights, success stories and tangible steps for companies and independent creators to use content (such as blogs, podcasts, webinars and more) to market their products in authentic and meaningful ways. Much like C.C. himself, the conversation is lively and fun -- and because J.C. is driving, goes into unexpected and (hopefully) interesting places. At every turn, C.C. delivers incredible insights not just about Content Rules, but also intriguing marketing advice for independent creators.

J.C.'s review of Content Rules is here.

Sites mentioned in the conversation:

The anthem for Hey, Everybody! is "Chip Away" by Jane's Addition, distributed freely via BitTorrent and the Nine Inch Nails/Jane's Addiction tour site, Ninja2009.com.

J.C. Cameos In "Eclipse Phase: Continuity" RPG Adventure by J.C. Hutchins

I'm very proud to announce that my voice makes a cameo appearance in the new RPG adventure Continuity, which takes place in the wickedly cool Eclipse Phase universe. The Eclipse Phase universe is a product of the creator-owned gaming collective Posthuman Studios LLC. I'll share more about my role in Continuity -- and reveal another familiar podfic talent involved with the project -- in a moment. First, some spiffy information about the Eclipse Phase RPG 'verse. If you like my fiction, this righteously spooky shit is right up your alley. From the Eclipse Phase site:

Eclipse Phase is a pen & paper roleplaying game of post-apocalyptic transhuman conspiracy and horror. Players take part in a cross-faction secret network dubbed Firewall that is dedicated to counteracting "existential risks" -- threats to the existence of transhumanity, whether they be biowar plagues, self-replicating nanoswarms, nuclear proliferation, terrorists with WMDs, net-breaking computer attacks, rogue AIs, alien encounters, or anything else that could drive an already decimated transhumanity to extinction.

That sounds like the coolest thing since the invention of the D20, if you ask me. Continuity is a one-shot scenario set in the 'verse. What happens in Continuity?

Your characters, who are researchers on the remote space outpost Kepler, check in for a backup -- and awaken in new bodies to discover two weeks of their lives are missing. They have limited time to find out what happened to their previous selves, and deal with a looming threat.

I've read the adventure, and know what's in store for players. "Looming threat" doesn't begin to describe the madness that unfolds. The campaign, masterfully written by Marc Huete (and produced by a team of brilliant game designers and graphic artists, including Adam Jury -- with whom I've worked in the past) promises to be a suspense-packed mindfuck.

One supremely cool element about Continuity is that the adventure features multimedia elements embedded in the PDF which GMs purchase. With the click of a GM's mouse button, players can actually hear scene-setting narration and reports from the Kepler's A.I. network named "Hans" ... which is played by me.

Indeed, I play a more-than-panicked A.I., and channel my trembling-voiced inner Kilroy2.0 to deliver the goods. More important, fellow novelist and podcast fiction veteran Mur Lafferty also lends her voice to the project, providing (as always) stellarly-delivered narration for the players.

The universe is compelling, as is the Continuity PDF product. Incredibly, this multimedia-enhanced adventure is available for a mere $5 (!!!) over at DriveThruRPG.com. Check it out here, and consider snagging the 5,000-word short story An Infinite Horizon, which is also set in the Eclipse Phase universe, for a criminally-low 99 cents. (Disclosure: Those are affiliate links.)

If you'd rather learn more about Eclipse Phase before pulling the trigger, visit EclipsePhase.com. I hope you do support this independent, creator-owned RPG property, and snag a copy of Continuity. You score a smidgen of Hutchins and Lafferty audio goodness, and more than a heaping teaspoon of slick, suspense-filled sci-fi adventure. Below are a few images to further whet your appetite.

--J.C.

Podcast: Interview with Michael Bekemeyer, Filmmaker by J.C. Hutchins

In this episode, J.C. chats with Florida-based independent filmmaker Michael Bekemeyer. We learn about Michael's filmmaking experience, J.C.'s current screenwriting ambitions, and Michael's current project, the short film Gush -- and how creators and fans are helping him raise funds to make it a reality.

Sites mentioned in the interview:

The anthem for Hey, Everybody! is "Chip Away" by Jane's Addition, distributed freely via BitTorrent and the Nine Inch Nails/Jane's Addiction tour site,Ninja2009.com.

A Special Message from Author Seth Harwood by J.C. Hutchins

I rarely let anyone commandeer my website -- or my podcast feed -- but Seth Harwood's got something important to share, and I can't say no to ultra-talented colleagues. I hope you enjoy his audio message, and support the release of Young Junius! --J.C.

THIS BLOG NOW HIJACKED BY YOUR BOY...

What’s up, everybody, it’s your favorite crime caper commentator Seth Harwood aka Your Boy here to take over J.C.’s feed and give out some audio Young Junius lovin’!

This recording comes from an event I did recently at Borderlands Books here in San Francisco with Scott Sigler. That’s right, the FDO himself showed up and read a few lines. I know you’ll enjoy this section!

Click here to download or listen now.

If you’d like to order your own copy of Young Junius the print novel from Tyrus Books, listen to the complete podcast or read it as a free PDF, come on over to my site now. I hope you’ll spread the word about it if you do.

Enjoy and have a happy holiday!

--Seth

Book Review: Content Rules by J.C. Hutchins

I can't rave enough about Content Rules, the new book by Ann Handley and C.C. Chapman. Here's what the book is about. My review follows.

Whether it's bite-sized tweets that allow you to forge relationships on Twitter, blog posts that give your readers must-have advice, ebooks or white papers that engage (and don't bore), videos that share the human side of your company, interactive webinars that deliver a valuable learning experience, or podcasts that can be downloaded and listened to on the fly (and more!) . . . now more than ever, content rules!

Today, you have an unprecedented opportunity to create a treasury of free, easy-to-use, almost infinitely customizable content that tells the story of your product and your business, and positions you as an expert people will want to do business with.

Ann Handley and C.C. Chapman, business writers, speakers, and marketing thought leaders for clients such as The Coca-Cola Company, HBO, and Verizon Fios, show you how to leverage all of today's tools to create content that truly speaks to your audience.

My review:

Packed with verve, zero-B.S. insights, tangible examples and success stories, Content Rules absolutely delivers on its promise of providing a practical and achievable road map for businesses to embrace -- and celebrate! -- content-fueled marketing. Especially heartening is its applicability far beyond the affluent walls of big business; independent businesses and creators will especially benefit from this book.

There's wisdom in Ann Handley's and C.C. Chapman's words, mostly because they hail from the gumption-soaked world of content creation themselves. These authors do far more than pay lip service to the value of content -- they breathe it and create it every day.

I rarely endorse books without reservation, but Content Rules is one of those works that is truly a Must Read for businesses, indies, salty creative veterans and curious newcomers. The book is brimming with incalculably valuable anecdotes, how-tos, and hard-earned advice. A steal, at any price.

As a seasoned creator who uses content as a marketing tool to promote his work, I cannot recommend Content Rules more highly. Pick up a copy at Amazon. You won't regret it.

--J.C.

How Long Does It Take To Make A Podiobook? by J.C. Hutchins

I just received an email from an aspiring podiobook author, who wanted to know how long it takes to create a single podcast novel episode. I thought I'd share my reply with you guys. When I was creating and promoting the  7th Son podcast novel trilogy, the workload broke down like this. These results were also typical for the other podfic projects I've completed. For a finished 45-minute episode:

  • 90 minutes to record
  • 5 hours to edit
  • 2 hours to write/record/edit "talky talk" openers and closers
  • 1 hour to upload and post, with shownotes

This doesn't include the heroic number of hours spent promoting the podiobook, or interacting with listeners via Twitter, Facebook, email and IM. That was often as many as 30 hours a week -- from the time I got home from the day gig to the moment I went to bed.

This also doesn't include the time it took to write, edit, and rewrite the novels before they were recorded as podcasts.

That's a lot of time, peeps.

--J.C.

New digs, new office by J.C. Hutchins

I get a lot of questions from folks about writing and rituals: How many words do you write a day? What software do you use? Do you listen to music when you write?, etc.  Over the years, I've also encountered questions about my workspace: What does it look like? I recently moved from South Florida to the Denver area, and have spent the past month working hard to make my home office (which I use for my creative writing and the day gig) a warm and welcoming place for me to herd words for hours on end. I'm becoming increasingly proud of the office, and -- partly to finally answer the question What does it look like? and partly to selfishly, proudly preen at how it's shaping up -- I reckoned it was time to post some photographs. I pray you'll indulge me. :)

Here's a shot from the far corner of my new digs: my sole bookshelf is on the left (I'm ditching hard copy in a big way, forsaking the fetishization of printed books and buying ebooks almost exclusively now), and my main desk is on the right. The darkened monitor resting on the filing cabinet is for my Mac mini, which I use as the house's wireless streaming media server.

For curious tech-heads: On the main desk, I've got a vertically-mounted MacBook Pro running the show, a 27" LED Cinema Display, some Bose speakers for audio, and a ScanSnap document scanner.

Another shot of the desk, before I added the speakers and a statue of Thoth, the Egyptian god who invented writing (whose photo follows this one):

Some spiffy bling on the bookcase shelves include my collection of fan-made, hand-crafted "Beta Clone" figurines and my small Transformers collection. (You can take the boy out of the 1980s, but...)

Being surrounded by inspiring artwork always revs my creative engine. Here's a rundown of some of what's now on the walls.

First up, a priceless hand-painted portrait of The Spirit by the late Will Eisner, one of history's most influential comics creators. I wrote a profile about him for The Palm Beach Post in 2000, and he sent me this magnificent piece as a thank you. Eisner was the best.

Next up: a delightful propaganda-style poster supporting the Comic Book Legal Defense Fund -- a worthy cause. I bought this guy about 10 years ago, I think. Finally had it framed when I moved to Colorado.

Here's a exceptionally dramatic and cool print of a Soviet-era propaganda poster. It reads, "We will smite the lazy worker." It's placed behind me, and looms like a thundercloud. Whenever I get whiny, I think of the mantra behind my head and keep typing.

More art, on the far walls, include this awesome print of the cover from the June 1957 issue of Amazing Stories. Humans rising up against their robot oppressors? Can't beat that with a stick, folks. The magazine also has a great story from Harlan Ellison in  it. How would I know?

Some more geeky goodness, including a print of artwork from the uncut edition of The Stand, signed by artist Bernie Wrightson, the original page 22 from Superman: Metropolis, painted and signed by Ted McKeever, and a sublime signed limited edition print of a girl wearing a jetpack. Because girls with jetpacks are, and will always be, awesome.

I still need to acquire a futon for this far side of the office (sleeping accommodations for guests, and a soft place for me to sit), and perhaps an area rug to make some colors "pop" throughout the room, but aside from that, I think I'm all done decorating. :)

Hope you enjoyed the tour. If you have any questions about my setup, give a shout in the comments. I'll see if I can answer them!

--J.C.

How I Survived High School by J.C. Hutchins

Everyone I've ever spoken with says they had a lousy high school experience. I've never had a reason to disbelieve them. All I know is that my four years were likely much worse than most folks' (due to nigh-countless tumultuous economic and emotional distresses that I'll keep to myself), and that it's a Christmas miracle I didn't come out of the experience a stark-raving lunatic, a dropout, a criminal, or all of the above. I credit two things that saved me back then -- and even at the time, I knew they were saving me:

  • My best friend, Aaron
  • Storytelling

Aaron and I were thick as thieves back in the day. We were very mischievous, but rarely unlawful -- while we were both dealing with serious shit at home, our parents had raised us right enough, and had armed us with mostly-functioning moral compasses. We did, however, fuck off in school, were far smarter than we ever let on, coasted (and slept) through classes, and very likely exasperated every teacher we had.

We weren't bad kids, but we were remarkably bad students.

I spent much of those years feeling psychically bruised, due to my personal misfortunes. I had few friends, and fewer still with whom I hung out after school. I worked a lot after school, sometimes helping keep the lights on at home, and didn't have a car. It was a lonesome, lonesome time, and I'm glad much of it is gone from my mind.

But I can easily recall my adventures with my friend Aaron, and my love for storytelling. To escape from my lousy circumstances, I sank nearly everything I was into writing, drawing and coloring comic books. My heroes weren't Superman or Wolverine. They were Aaron and me.

Inside those poorly-drawn panels, we could be anyone we wanted to be ... and we were. Aaron and I slayed school bullies, traveled to the Amazon, got laid, were wrongfully arrested (but we busted out of jail!), traveled to the past and the future, died, came back to life, and -- in the "final issue" of the series, which I never completed -- led a cadre of student warriors in defeating an alien invasion.

This was absolute escapism, my therapeutic way of coping with what I rightly perceived to be a fundamentally rotten and unreliable world. I had enough sense at the time to know this, and took quiet comfort in it, penciling page after page, probably hoping that things would get better someday -- maybe as good as they were in the stories I was writing and drawing. They always had happy endings.

I unearthed these comics after my recent cross-country move from South Florida to Denver. I thumbed through them, smiling at memories of making these things in World Civilization, Biology and many other classes. I can't remember a single lesson from those cinderblock classrooms, yet I reckon I was learning anyway. I was teaching myself how to tell stories, and showing my affection for my best friend the best way I knew how.

Aaron and I keep in touch, though it's far too long since we spoke last. Things are great for both of us. We can't complain, and yet we do, because that's what being friends for 20 years is all about.

Here are the covers of those comics -- I'm the blondie named "Chris," Aaron's the better-looking longhair. (Not that any of my characters were much in the looks department ... I was, and remain, a lackluster artist.) There's nods to my favorite stories here: Back to the Future, the Bill and Ted and Indiana Jones movies , even V (represented by the spray-paint graffiti). They were a helluva lot of fun to create, and a hoot to read many years later.

You're looking at what saved me back then. I, more than anyone, am grateful this story has a happy ending.

--J.C.

Podcast: Interview with Jim McLauchlin by J.C. Hutchins

After a long hiatus, J.C. unearths the Hey Everybody! interview podcast for a very worthy cause. In this episode, you'll meet Jim McLauchlin, a former Wizard: The Comics Magazine writer (like J.C.) who's presently spearheading an incredible new project -- a documentary about the influential work created by 1950s comics publisher EC Comics, and its lasting impact.

EC made big waves in the 1950s, thanks to its daring approach to storytelling ... but its trailblazing stories and art garnered the attention of censors, and the company eventually folded. McLauchlin and his collaborators want to interview EC creators -- and big-name creators of present day such as Stan Lee -- and he needs your help to make it happen!

Learn more about McLauchlin's EC Comics documentary project, and help fund it, at IndieGoGo.com/EC-Comics-Documentary!

The anthem for Hey, Everybody! is "Chip Away" by Jane's Addition, distributed freely via BitTorrent and the Nine Inch Nails/Jane's Addiction tour site, Ninja2009.com.

Free PDF: "Young Junius" by Seth Harwood by J.C. Hutchins

When asked, I never pass up an opportunity to vociferously champion the work of fellow new media creators -- which is why I'm thrilled and honored to present this free PDF of author Seth Harwood's brilliant thriller, Young Junius. Here's the jacket copy for Young Junius:

In 1987, fourteen-year-old Junius Posey sets out on the cold Cambridge (Mass.) streets to find his brother’s killer in a cluster of low-income housing towers—prime drug-dealing territory. After committing a murder to protect his friend, he finds himself without protection from retribution. His mother gives him fifty dollars and instructions to run, but Junius refuses to live a life in hiding. Instead, shocked by the violence he’s created and determined to see its consequences, he returns to the towers to complete his original mission.
I've read this book, and it's wonderful. But don't take my word for it -- check what these mainstream book critics and influencers have said about Harwood's terrific work:
"Harwood’s cutaway view of a single bloody day in a housing project is an impressive feat . . . Harwood’s empathy runs deeply indeed." -- Booklist (review: Young Junius)
"Searing ... a vicious black comedy of murderous errors. Harwood pulls no punches." -- Publishers Weekly (review: Young Junius)
"I loved the way he drew a canvas and filled it with characters. I'm still afraid of some of them." -- Seth Godin on Seth Harwood's Jack Wakes Up
Want to learn more? Check out the free PDF (linked below), and learn how you can support the print release of Seth Harwood's Young Junius by visiting Seth's website.
--J.C.

My New Car Stereo, or Arthur C. Clarke Was Right by J.C. Hutchins

This Friday, I'm packing a few boxes into my beloved beige Corolla named Jesse Quick, firing up my TomTom GPS, and leaving South Florida for good. The destination for this round-faced man? My new home near Denver. Yes, I'm driving. And yes, I name all my cars after female superheroes.

I love epic solo road trips like this one. They give me plenty of quiet time to process the gobs of stuff in my head -- process some baggage, brainstorm creative and entrepreneurial ideas, the works. But I love my tunes and podcasts, and my 8-year-old car stereo has been giving up the ghost for the past two years.

My drives were filled with First World problems. The detachable faceplate took great glee in spontaneously detaching. When it was attached, the connectors to the radio proper would misalign, often resulting in me jabbing buttons to no effect, or watching the digital display flash like a discotheque strobe. Sometimes the only way to get things working again was to play the lone CD I own, a Conway Twitty greatest hits album. (Anyone who doesn't love Conway's Hello Darlin' has no heart.) Finally, the auxiliary cable that snaked through the dashboard -- which connected to my iPod's headphone jack -- was falling apart from the inside, resulting in audio playing through the right speakers only.

Like I said, First World problems. But I love my tunes and podcasts. I used the road trip to rationalize an upgrade.

Solemnly determined to Never Again be foiled by the degrading guts of auxiliary cables (for all cables' guts degrade after daily wear and tear), I decided to look for a replacement that used Bluetooth technology to wirelessly stream the audio from my iPhone to the stereo. It had been nearly a decade since I'd done research on stereos, so I expected this tech would be well out of my $200 budget.

Not so. I browsed a local Best Buy store, talked to a few very helpful and pateint employees on site, and zeroed in on the Sony MEX-BT2800. Bluetooth built-in. $159. For another $50 and a 30-minute wait, I could have it installed right there, they said. After a few days of hemming and hawing, I pulled the trigger this morning.

I spent most of the day driving around the area, running errands and giving the radio a workout.

I fully understand that what I'm about to describe isn't breaking news for car nerds or tech-heads. But for me, it's been a day of living the famous Arthur C. Clarke quote: "Any sufficiently advanced technology is indistinguishable from magic." This shit is miraculous:

  • Indeed, the music plays on my iPhone and transmits wirelessly to my stereo. Not a cable in sight.
  • I'm not an audiophile, but I honestly cannot tell a difference between the quality of this wireless Bluetooth connection and the wired solution in my last stereo.
  • In fact, the sound quality piping though my 8-year-old speakers is better than my old Kenwood, but that's probably a testament to the Sony's newfangled sound-making innards more than the Bluetooth.
  • I can wirelessly skip tracks on my iPhone, forward and reverse, using the stereo's buttons. I can pause too.
  • I can switch to music-free "phone mode," activate the hands-free feature using the stereo's built-in microphone, and vocally tell my iPhone to play specific artists and playlists. I then switch back to "Bluetooth audio" mode and listen to the accessed music.
  • Using "phone mode," I can do voice-activated dialing too.
  • If I get a call while the phone's wirelessly connected to the stereo, I can answer and disconnect calls with a tap of the radio's volume knob. The music fades out, and I hear the caller's voice through my car's speakers. I'm told the radio's mic works great. The music fades back in when the call's done.
  • I can also pipe the TomTom GPS' voice through my speakers (thanks to the GPS' own Bluetooth technology), but this eliminates my ability to listen to music via the iPhone. (Only one device can pipe audio to the radio at a time, my only minor gripe.)
  • If I have an audio player that doesn't have Bluetooth, I can always connect it via a front-facing minijack aux port.
  • The stereo also has some nice equalizer presets, for fiddle-free -- and to me, impressive -- results. Lady Gaga never sounded so good.

Plus a CD player, FM/AM (which sports a whiz-bang feature that shows what song's playing on the radio) and a crapload of other probably-standard-fare features that delight this old schooler.

Abracadabra, all for $159. (Or for $119, currently at Amazon.) For the kind of driver I happen to be -- I reckon my audio quality demands are average or a teensy smidgen above that -- on a less-than-average budget, it's a steal. Incredible value here.

And no wires, man. Hallelujah.

Come Friday, the world beyond South Florida won't be ready for Jesse Quick and the round-faced man behind her wheel.

I got magic in my car, see.

--J.C.