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Podcast: Interview with Author/Composer Alex White, of “The Gearheart”

This week, J.C. brings you a conversation with Alex White, author of the adventure podiobook The Gearheart, and the forthcoming The Gearheart: Maiden Flight of the Avenger.

Alex is not only a writer; he’s a music composer, and has created soundtracks for his audio fiction. J.C., a superfan of film scores, deep geeks with Alex on orchestral composition, the similarities of crafting stories in prose and music formats, and more.

Support Alex and future releases of his free audiofiction by purchasing a copy of the soundtrack to The Gearheart: Maiden Flight of the Avenger!

Sites mentioned in the conversation:

The anthem for Hey, Everybody! is “Chip Away” by Jane’s Addition, distributed freely via BitTorrent and the Nine Inch Nails/Jane’s Addiction tour site, Ninja2009.com.

Podcast: Interview with C.C. Chapman, co-author of “Content Rules”

Today, J.C. chats with C.C. Chapman, co-author (with Ann Handley) of the book Content Rules, an invaluable resource that provides insights, success stories and tangible steps for companies and independent creators to use content (such as blogs, podcasts, webinars and more) to market their products in authentic and meaningful ways.

Much like C.C. himself, the conversation is lively and fun — and because J.C. is driving, goes into unexpected and (hopefully) interesting places. At every turn, C.C. delivers incredible insights not just about Content Rules, but also intriguing marketing advice for independent creators.

J.C.’s review of Content Rules is here.

Sites mentioned in the conversation:

The anthem for Hey, Everybody! is “Chip Away” by Jane’s Addition, distributed freely via BitTorrent and the Nine Inch Nails/Jane’s Addiction tour site, Ninja2009.com.

J.C. Cameos In “Eclipse Phase: Continuity” RPG Adventure

I’m very proud to announce that my voice makes a cameo appearance in the new RPG adventure Continuity, which takes place in the wickedly cool Eclipse Phase universe. The Eclipse Phase universe is a product of the creator-owned gaming collective Posthuman Studios LLC.

I’ll share more about my role in Continuity — and reveal another familiar podfic talent involved with the project — in a moment. First, some spiffy information about the Eclipse Phase RPG ‘verse. If you like my fiction, this righteously spooky shit is right up your alley. From the Eclipse Phase site:

Eclipse Phase is a pen & paper roleplaying game of post-apocalyptic transhuman conspiracy and horror. Players take part in a cross-faction secret network dubbed Firewall that is dedicated to counteracting “existential risks” — threats to the existence of transhumanity, whether they be biowar plagues, self-replicating nanoswarms, nuclear proliferation, terrorists with WMDs, net-breaking computer attacks, rogue AIs, alien encounters, or anything else that could drive an already decimated transhumanity to extinction.

That sounds like the coolest thing since the invention of the D20, if you ask me. Continuity is a one-shot scenario set in the ‘verse. What happens in Continuity?

Your characters, who are researchers on the remote space outpost Kepler, check in for a backup — and awaken in new bodies to discover two weeks of their lives are missing. They have limited time to find out what happened to their previous selves, and deal with a looming threat.

I’ve read the adventure, and know what’s in store for players. “Looming threat” doesn’t begin to describe the madness that unfolds. The campaign, masterfully written by Marc Huete (and produced by a team of brilliant game designers and graphic artists, including Adam Jury — with whom I’ve worked in the past) promises to be a suspense-packed mindfuck.

One supremely cool element about Continuity is that the adventure features multimedia elements embedded in the PDF which GMs purchase. With the click of a GM’s mouse button, players can actually hear scene-setting narration and reports from the Kepler’s A.I. network named “Hans” … which is played by me.

Indeed, I play a more-than-panicked A.I., and channel my trembling-voiced inner Kilroy2.0 to deliver the goods. More important, fellow novelist and podcast fiction veteran Mur Lafferty also lends her voice to the project, providing (as always) stellarly-delivered narration for the players.

The universe is compelling, as is the Continuity PDF product. Incredibly, this multimedia-enhanced adventure is available for a mere $5 (!!!) over at DriveThruRPG.com. Check it out here, and consider snagging the 5,000-word short story An Infinite Horizon, which is also set in the Eclipse Phase universe, for a criminally-low 99 cents. (Disclosure: Those are affiliate links.)

If you’d rather learn more about Eclipse Phase before pulling the trigger, visit EclipsePhase.com. I hope you do support this independent, creator-owned RPG property, and snag a copy of Continuity. You score a smidgen of Hutchins and Lafferty audio goodness, and more than a heaping teaspoon of slick, suspense-filled sci-fi adventure. Below are a few images to further whet your appetite.

–J.C.

Podcast: Interview with Michael Bekemeyer, Filmmaker

In this episode, J.C. chats with Florida-based independent filmmaker Michael Bekemeyer. We learn about Michael’s filmmaking experience, J.C.’s current screenwriting ambitions, and Michael’s current project, the short film Gush — and how creators and fans are helping him raise funds to make it a reality.

Sites mentioned in the interview:

The anthem for Hey, Everybody! is “Chip Away” by Jane’s Addition, distributed freely via BitTorrent and the Nine Inch Nails/Jane’s Addiction tour site,Ninja2009.com.

A Special Message from Author Seth Harwood

I rarely let anyone commandeer my website — or my podcast feed — but Seth Harwood’s got something important to share, and I can’t say no to ultra-talented colleagues. I hope you enjoy his audio message, and support the release of Young Junius!

–J.C.

THIS BLOG NOW HIJACKED BY YOUR BOY…

What’s up, everybody, it’s your favorite crime caper commentator Seth Harwood aka Your Boy here to take over J.C.’s feed and give out some audio Young Junius lovin’!

This recording comes from an event I did recently at Borderlands Books here in San Francisco with Scott Sigler. That’s right, the FDO himself showed up and read a few lines. I know you’ll enjoy this section!

Click here to download or listen now.

If you’d like to order your own copy of Young Junius the print novel from Tyrus Books, listen to the complete podcast or read it as a free PDF, come on over to my site now. I hope you’ll spread the word about it if you do.

Enjoy and have a happy holiday!

–Seth

Book Review: Content Rules

I can’t rave enough about Content Rules, the new book by Ann Handley and C.C. Chapman. Here’s what the book is about. My review follows.

Whether it’s bite-sized tweets that allow you to forge relationships on Twitter, blog posts that give your readers must-have advice, ebooks or white papers that engage (and don’t bore), videos that share the human side of your company, interactive webinars that deliver a valuable learning experience, or podcasts that can be downloaded and listened to on the fly (and more!) . . . now more than ever, content rules!

Today, you have an unprecedented opportunity to create a treasury of free, easy-to-use, almost infinitely customizable content that tells the story of your product and your business, and positions you as an expert people will want to do business with.

Ann Handley and C.C. Chapman, business writers, speakers, and marketing thought leaders for clients such as The Coca-Cola Company, HBO, and Verizon Fios, show you how to leverage all of today’s tools to create content that truly speaks to your audience.

My review:

Packed with verve, zero-B.S. insights, tangible examples and success stories, Content Rules absolutely delivers on its promise of providing a practical and achievable road map for businesses to embrace — and celebrate! — content-fueled marketing. Especially heartening is its applicability far beyond the affluent walls of big business; independent businesses and creators will especially benefit from this book.

There’s wisdom in Ann Handley’s and C.C. Chapman’s words, mostly because they hail from the gumption-soaked world of content creation themselves. These authors do far more than pay lip service to the value of content — they breathe it and create it every day.

I rarely endorse books without reservation, but Content Rules is one of those works that is truly a Must Read for businesses, indies, salty creative veterans and curious newcomers. The book is brimming with incalculably valuable anecdotes, how-tos, and hard-earned advice. A steal, at any price.

As a seasoned creator who uses content as a marketing tool to promote his work, I cannot recommend Content Rules more highly. Pick up a copy at Amazon. You won’t regret it.

–J.C.

New digs, new office

I get a lot of questions from folks about writing and rituals: How many words do you write a day? What software do you use? Do you listen to music when you write?, etc.  Over the years, I’ve also encountered questions about my workspace: What does it look like?

I recently moved from South Florida to the Denver area, and have spent the past month working hard to make my home office (which I use for my creative writing and the day gig) a warm and welcoming place for me to herd words for hours on end. I’m becoming increasingly proud of the office, and — partly to finally answer the question What does it look like? and partly to selfishly, proudly preen at how it’s shaping up — I reckoned it was time to post some photographs. I pray you’ll indulge me. :)

Here’s a shot from the far corner of my new digs: my sole bookshelf is on the left (I’m ditching hard copy in a big way, forsaking the fetishization of printed books and buying ebooks almost exclusively now), and my main desk is on the right. The darkened monitor resting on the filing cabinet is for my Mac mini, which I use as the house’s wireless streaming media server.

For curious tech-heads: On the main desk, I’ve got a vertically-mounted MacBook Pro running the show, a 27″ LED Cinema Display, some Bose speakers for audio, and a ScanSnap document scanner.

Another shot of the desk, before I added the speakers and a statue of Thoth, the Egyptian god who invented writing (whose photo follows this one):

Some spiffy bling on the bookcase shelves include my collection of fan-made, hand-crafted “Beta Clone” figurines and my small Transformers collection. (You can take the boy out of the 1980s, but…)

Being surrounded by inspiring artwork always revs my creative engine. Here’s a rundown of some of what’s now on the walls.

First up, a priceless hand-painted portrait of The Spirit by the late Will Eisner, one of history’s most influential comics creators. I wrote a profile about him for The Palm Beach Post in 2000, and he sent me this magnificent piece as a thank you. Eisner was the best.

Next up: a delightful propaganda-style poster supporting the Comic Book Legal Defense Fund — a worthy cause. I bought this guy about 10 years ago, I think. Finally had it framed when I moved to Colorado.

Here’s a exceptionally dramatic and cool print of a Soviet-era propaganda poster. It reads, “We will smite the lazy worker.” It’s placed behind me, and looms like a thundercloud. Whenever I get whiny, I think of the mantra behind my head and keep typing.

More art, on the far walls, include this awesome print of the cover from the June 1957 issue of Amazing Stories. Humans rising up against their robot oppressors? Can’t beat that with a stick, folks. The magazine also has a great story from Harlan Ellison in  it. How would I know?

Some more geeky goodness, including a print of artwork from the uncut edition of The Stand, signed by artist Bernie Wrightson, the original page 22 from Superman: Metropolis, painted and signed by Ted McKeever, and a sublime signed limited edition print of a girl wearing a jetpack. Because girls with jetpacks are, and will always be, awesome.

I still need to acquire a futon for this far side of the office (sleeping accommodations for guests, and a soft place for me to sit), and perhaps an area rug to make some colors “pop” throughout the room, but aside from that, I think I’m all done decorating. :)

Hope you enjoyed the tour. If you have any questions about my setup, give a shout in the comments. I’ll see if I can answer them!

–J.C.

How I Survived High School

Everyone I’ve ever spoken with says they had a lousy high school experience. I’ve never had a reason to disbelieve them. All I know is that my four years were likely much worse than most folks’ (due to nigh-countless tumultuous economic and emotional distresses that I’ll keep to myself), and that it’s a Christmas miracle I didn’t come out of the experience a stark-raving lunatic, a dropout, a criminal, or all of the above.

I credit two things that saved me back then — and even at the time, I knew they were saving me:

  • My best friend, Aaron
  • Storytelling

Aaron and I were thick as thieves back in the day. We were very mischievous, but rarely unlawful — while we were both dealing with serious shit at home, our parents had raised us right enough, and had armed us with mostly-functioning moral compasses. We did, however, fuck off in school, were far smarter than we ever let on, coasted (and slept) through classes, and very likely exasperated every teacher we had.

We weren’t bad kids, but we were remarkably bad students.

I spent much of those years feeling psychically bruised, due to my personal misfortunes. I had few friends, and fewer still with whom I hung out after school. I worked a lot after school, sometimes helping keep the lights on at home, and didn’t have a car. It was a lonesome, lonesome time, and I’m glad much of it is gone from my mind.

But I can easily recall my adventures with my friend Aaron, and my love for storytelling. To escape from my lousy circumstances, I sank nearly everything I was into writing, drawing and coloring comic books. My heroes weren’t Superman or Wolverine. They were Aaron and me.

Inside those poorly-drawn panels, we could be anyone we wanted to be … and we were. Aaron and I slayed school bullies, traveled to the Amazon, got laid, were wrongfully arrested (but we busted out of jail!), traveled to the past and the future, died, came back to life, and — in the “final issue” of the series, which I never completed — led a cadre of student warriors in defeating an alien invasion.

This was absolute escapism, my therapeutic way of coping with what I rightly perceived to be a fundamentally rotten and unreliable world. I had enough sense at the time to know this, and took quiet comfort in it, penciling page after page, probably hoping that things would get better someday — maybe as good as they were in the stories I was writing and drawing. They always had happy endings.

I unearthed these comics after my recent cross-country move from South Florida to Denver. I thumbed through them, smiling at memories of making these things in World Civilization, Biology and many other classes. I can’t remember a single lesson from those cinderblock classrooms, yet I reckon I was learning anyway. I was teaching myself how to tell stories, and showing my affection for my best friend the best way I knew how.

Aaron and I keep in touch, though it’s far too long since we spoke last. Things are great for both of us. We can’t complain, and yet we do, because that’s what being friends for 20 years is all about.

Here are the covers of those comics — I’m the blondie named “Chris,” Aaron’s the better-looking longhair. (Not that any of my characters were much in the looks department … I was, and remain, a lackluster artist.) There’s nods to my favorite stories here: Back to the Future, the Bill and Ted and Indiana Jones movies , even V (represented by the spray-paint graffiti). They were a helluva lot of fun to create, and a hoot to read many years later.

You’re looking at what saved me back then. I, more than anyone, am grateful this story has a happy ending.

–J.C.

Podcast: Interview with Jim McLauchlin

After a long hiatus, J.C. unearths the Hey Everybody! interview podcast for a very worthy cause. In this episode, you’ll meet Jim McLauchlin, a former Wizard: The Comics Magazine writer (like J.C.) who’s presently spearheading an incredible new project — a documentary about the influential work created by 1950s comics publisher EC Comics, and its lasting impact.

EC made big waves in the 1950s, thanks to its daring approach to storytelling … but its trailblazing stories and art garnered the attention of censors, and the company eventually folded. McLauchlin and his collaborators want to interview EC creators — and big-name creators of present day such as Stan Lee — and he needs your help to make it happen!

Learn more about McLauchlin’s EC Comics documentary project, and help fund it, at IndieGoGo.com/EC-Comics-Documentary!

The anthem for Hey, Everybody! is “Chip Away” by Jane’s Addition, distributed freely via BitTorrent and the Nine Inch Nails/Jane’s Addiction tour site, Ninja2009.com.

Free PDF: “Young Junius” by Seth Harwood

When asked, I never pass up an opportunity to vociferously champion the work of fellow new media creators — which is why I’m thrilled and honored to present this free PDF of author Seth Harwood’s brilliant thriller, Young Junius.

Here’s the jacket copy for Young Junius:

In 1987, fourteen-year-old Junius Posey sets out on the cold Cambridge (Mass.) streets to find his brother’s killer in a cluster of low-income housing towers—prime drug-dealing territory. After committing a murder to protect his friend, he finds himself without protection from retribution. His mother gives him fifty dollars and instructions to run, but Junius refuses to live a life in hiding. Instead, shocked by the violence he’s created and determined to see its consequences, he returns to the towers to complete his original mission.
I’ve read this book, and it’s wonderful. But don’t take my word for it — check what these mainstream book critics and influencers have said about Harwood’s terrific work:
“Harwood’s cutaway view of a single bloody day in a housing project is an impressive feat . . . Harwood’s empathy runs deeply indeed.” — Booklist (review: Young Junius)

“Searing … a vicious black comedy of murderous errors. Harwood pulls no punches.” — Publishers Weekly (review: Young Junius)

“I loved the way he drew a canvas and filled it with characters. I’m still afraid of some of them.” — Seth Godin on Seth Harwood’s Jack Wakes Up
Want to learn more? Check out the free PDF (linked below), and learn how you can support the print release of Seth Harwood’s Young Junius by visiting Seth’s website.
–J.C.
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