Archive - April, 2011

Videos Of My Cat…

…because I’m rather fond of the wicked little critta.

On the Horizon: THUNDERTAKER

I can’t rightly say if it’ll be a full-on novel, novella, straight read or transmedia experience (like Personal Effects: Dark Art). Hell, it could jump over into screenplay territory by the time it’s said and done. All I know is that I’ve wanted to write a Western for years, I’ve got a title, and I can hear the low-frequency rumble of a spiffy idea growling in my gut.

Oh, and a cover. Because the stock photo was free at iStockphoto.com, and I had two hours to kill.

On May 1, I’ll start working on THUNDERTAKER, the first story set in the universe I’ve created for The 33. The 33 is a cross-media project that I’d originally intended to release as a free fiction podcast last year. The world of The 33 will now likely be first seen in a series of ebooks. That’s what THUNDERTAKER will probably become.

Truth is, I don’t fully know what THUNDERTAKER will be by May’s end, save for the fact that it’ll be gruff, gritty and as nasty as razor wire. And for me, there’s something delightful in not knowing what unholy mayhem will soon unfold.

I’ll probably keep you in the loop as the story develops. Stay tuned … and watch the horizon.

–J.C.

Why You Won’t Find My eBooks In the Bargain Basement

 

Since every other windbag author has blown a few thousand words on this topic, I reckon I oughta chime in about ebooks, pricing and value.

To be clear: Right now, I don’t have much skin in the ebook game. My thriller, 7th Son: Descent, was released in e-formats by St. Martin’s Griffin back in 2009. I’m a couple thousand bucks away from earning out my low five-figure advance. Ebook sales have made a positive and meaningful impact on 7th Son’s bottom line.

Thanks mostly to the Kindle’s debut back in 2007, the ebook marketplace has exploded in popularity, and swelled with content. Particularly empowering is the unfolding revolution in which creators can now become entrepreneurs by self-publishing their works in e-formats. They can even set the price for these ebooks.

I absolutely support this empowerment. My five-year history as an independent / freelance creator, and my consistent vociferous and monetary support of my indie colleagues should eliminate any doubt of this.

That said, I’ve become increasingly concerned about authors selling their ebooks at rock-bottom prices. I’m not concerned about the widely-discussed (and, according to critics, destructive and unsustainable) “race to the bottom” pricing trend; ebooks for a buck set bad precedents, pundits say. I’m also unconcerned about indies moving aggressively into marketplaces once traditionally dominated by mega-corps. Stick it to the The Man, I say. Hell, stick it in and break it off. The Man has it comin’.

No, my concern is philosophical. Authors who sell their novels at ultra-low prices (such as 99 cents) use this pricing as a differentiator to attract new customers with a nigh-zero-risk proposition. 99 cents is practically free, after all. I spent years offering similar nigh-zero-risk propositions to consumers by releasing my content as Free online audiobooks.

I admire the at-a-glance savvy of the 99-cent strategy, but fear these creators wildly undervalue the worth of their work — and the ultra-low price undervalues the work’s worth in the eyes of the consumer.

Continue Reading…

He falls for the Facebook. He is killed by ad.

I occasionally post a peculiar message on Twitter and Facebook — “He falls for the booty. He is killed by knife.” — because it’s an undeniably weird frickin’ thing to say, and because its strange backstory amuses me.

But I got my own dose of strangeness when I posted the message to Facebook today. Behold, why I both loathe and begrudgingly admire Facebook’s user profiling technology:

As one of my pals on Facebook reported, “Only 824 people like the booty? This surprises me!” :)

–J.C.

Podcast: Interview with Andrea Phillips, Transmedia Writer and Game Designer

Today, J.C. speaks with Andrea Phillips, an influential transmedia writer and game designer. Andrea has worked and played in the transmedia space for a decade — and has been a storyteller for far longer than that.

In this epic 90-minute conversation, Andrea discusses her lifelong love of writing, how she was exposed to transmedia 10 years ago, and some of the lessons and unique challenges she’s experienced while telling transmedia stories. J.C. chimes in with perspectives gleaned from his own transmedia creation experiences.

Andrea writes about games, storytelling, digital culture, and gender issues on her blog, Deus Ex Machinatio.

The Ebook Will Evolve. So Should Authors.

Note: This post originally appeared on the website E2BU. E2BU, aka the Enhanced Ebook University, educates authors and publishers on the creative and business potential of enhanced ebooks — electronic books that transcend traditional reading experiences by incorporating video, online links and other multimedia elements into the narrative.

Enhanced ebooks are an emerging storytelling form. I’ve yet to see an enhanced ebook that captures my vision for the platform’s incredible narrative potential. I hope this post, which was originally written for authors and publishers, gets readers and creators thinking about the platform’s potential.

Here’s some enhanced e-book wisdom for my author colleagues: It all starts with you.

I’m approaching this from a fiction writer’s perspective, though non-fiction writers can benefit from this advice. Prepare your work’s enhanced ebook experience from the very beginning, as you conceive your book. As you plot and write, always remember that you’re now armed with countless opportunities to push your narrative beyond words. Take advantage of that, and the many emotionally-resonant strengths other media have over text.

Presently, enhanced content is often an afterthought, tacked on at the end of a production process as a blingy differentiator. We are now in an age of storytelling where that model is practically insulting to a reader. These days, there are few good reasons for creators to ignore the potential of integrating resonant multimedia elements into their stories.

From my perspective as an online- and transmedia-savvy creator, “enhanced” content should make a meaningful narrative contribution to the main story.  Consider the narrative impact of experiencing fictional family photo albums, sci-fi computer dossiers, fake newspaper clippings, video blogs from your characters, etc.  Every genre can benefit from this story-centric approach, and can move readers in new ways.

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How To Become A Better (And Future-Friendly) Storyteller

Note: This post originally appeared on the website WriterUnboxed. This is the first of several WU guest posts I’ll reprint here on my site.

I submit this for your consideration: Expand and improve your media vocabulary. It might positively impact your career now, and certainly will in the future.

I define “media vocabulary” as the various media one uses to tell resonant stories. Since most readers of this blog are authors, I reckon we’re fluent in the vocabulary of text-based storytelling. But how many of us have more than a pedestrian consumer’s knowledge of other media such as video, audio, photography, or graphic design? How many of us use those media in our stories?

Based on anecdotal and professional experience, I believe in my marrow that now is the time for talespinners to get savvy with several storytelling media. Within years, I expect we’ll see an explosive rise of enhanced ebooks, app-based fiction and transmedia narratives that will leverage technologies and trends that have already become mainstream.

Fret not, hand-wringing wordherding purists: These multimedia, aka “transmedia” — or as I sometimes call them, “mergemedia” — stories will never replace a printed book or text-only ebook. But publishers will soon get into the enhanced narrative business in a big way, and will keenly quest for stories that organically incorporate disparate media into cohesive, resonant narratives.

And who better than you to deliver that very thing? You’ll be a hot tamale, on the front lines of a business trend that’ll reinvent the way audiences experience stories.

Continue Reading…

On Being An “Aspiring Writer”

I spotted the words “aspiring writer” on a website today. My mood went south, as it always does when I encounter this flawed phrase.

When I see aspiring writer, I don’t think it’s shorthand for meanings such as:

  • “Aspiring professional writer” — meaning, the person is writing, but aims to someday be paid for her creative investment and output.
  • Or “aspring full-time pro writer” — meaning, the person is writing, but aims to someday make a living wage from her wordherding.
  • Or “aspiring to complete a writing project” — meaning, the person is writing, and aims to someday type The End or Fade To Black on her short story, novel or screenplay.

In my more literal view, the phrase means, “I am not writing, but am talking and dreaming about writing.” Which might as well be, “I am masturbating.” I am qualified to characterize this in such harsh terms because in my own life, I talked about writing fiction long before I actually wrote a word of it. These years of windbaggery added precisely zero words to my novel manuscripts or screenplays. I wasn’t aspiring. I was wanking.

You’re either writing, or you aren’t. Unspoken qualifiers such as “being a writer means making money from one’s words” or “being a writer means your entire income hails from writing” feel like strange constrictions to me, mental obstacles that young writers place before themselves to … to … I don’t know what, precisely. Perhaps it’s to:

  • Perpetuate some form of artistic self-loathing? (Oh, how writers love to hate their work.)
  • Ensure years of handwringing and self-doubt? (Writers are unhealthily preoccupied with the notion that they’ll someday be discovered as no-talent hacks. They don’t yet realize that the only writers who don’t have that fear are, in fact, the no-talent hacks.)
  • Permit and maintain a level of mediocrity in the quality of their work? (Qualifiers such as “aspiring” permit such stagnation.)
  • Assign a tangible, rational goal to an intangible, downright spooky act? (Thereby justifying one’s creative investment.)

Could be any, all, or none of these things. The only truth that I know is this: In my world, there are no aspiring writers. There are writers, and everyone else.

If you’re writing, you’re a writer. Own that fact. Be proud of it. Your pen is moving (or your fingers are typing), and that’s a thousand times cooler and more committed than the douchebags who endlessly drone on about the books, poems, plays and movies they’ll never write. You’re not aspiring, because you’re already doing the hard part.

Other aspects of the creative life — such as making money from your words — do indeed represent aspirational goals. Call yourself an “aspiring professional writer” if that is indeed your aim. But if you’re writing, don’t dare label yourself as an “aspiring writer.” To do so undervalues what you’re doing to you and others, and creates a disconnect between the challenging act you’re already performing — the very thing that makes writers writers — and other aspects of the life.

I assure you: perform enough of the former (the act of writing) and you’ll achieve the latter (the goal of getting paid or published, for instance). Your success may be wildly different than you ever imagined, as may your path to achieving it. But it will happen if you continue to put words on the page, and remain committed to improving your craft.

You don’t need permission to write … and you mustn’t make money to call yourself a writer.

Writers write. That’s it.

Those who don’t, merely aspire.

–J.C.

Perhaps the most cruel photo on the ‘net…

…and also perhaps the funniest. I’m still laughing. I think it’s the cat.

–J.C.

 

Welcome to America.

Spilling store-bought coffee on your Ralph Lauren button-down while sitting in your air conditioned late model car and eying a pretty lady walking down an absolutely safe street. It’s a nightmare world in which we live.

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